Harold in Italy as a precursor to Film Noir

idée fixe
French cantus firmus

Harold is simple, unchanging, an innocent

am I the subject am I the observer

He witnesses a procession of Pilgrims
He witnesses a lover’s Serenade
He witnesses an Orgy of the Brigands
(nudge, nudge, wink, wink)

I am the subject I am the observer

As if that’s not proof enough, here’s videographic evidence

© 2016 Peter J. Evans, theorist

…after reading Part II of Don Quixote

…after reading Part II of Don Quixote

The first part is more widely known, with the famous adventures of the windmills, galley prisoners, wineskins, Sancho being tossed in the air…

The second book, I think, is less well known, the adventures less striking, the misdeeds not so numerous, but it is perhaps more ‘modern’ in feel than the first.  DQ awakes in his sick-bed to find that someone has written a book about him! People he meets in the second part… know the first part!

A list, in a somewhat random order:

  • Happy 400th Anniversary!!!
    (originally published in 1615)
  • Governmental policy of deporting Muslims? (more below)
  • The "student" as the catalyst/final decider
  • The nobel class:
    • How cruel they can be!
    • They sure do have a lot of free time and unlimited resources!
  • What is it like to be an accidental pop phenom?
  • Oh, to be almost finished writing the sequel to your book, when you learn that some unknown author has done it for you already!
  • Who is the author?
  • Who is the book?

In Book 1, the reader sees DQ as a crazy guy, inventing impossible situations to replace the mundane reality, “through a glass darkly”
In Book 2, the reader sees situations foisted upon DQ, though since they are staged by Duke and Duchess (and not the byproduct of DQ’s imagination) they are quite real.

The puppet show in the early chapters is actually kind of a pre-figuring of the treatment by Duke and Duchess. One of the characters wrongly attacked in Book 1 comes back to ‘attack’ DQ via unkind representation on the mini-stage. DQ violently attacks the stage, perhaps in order to silence the critics and various other mis-representations. He is afforded no such luxury with Duke and Duchess, who effectively never allow his third sally to ever get going.

Sancho Panza’s governance actually seems quite effective, even though it’s set up so that he should fall on his face. Attempts to humiliate Sancho are mean-spirited with considerable egg-on-the-face.

Of particular poignance is when Sancho meets Ricote, a Moorish man from his hometown who was forced to flee due to religious persecution.  Later, we learn that this man’s daughter, Ana Felix, is referred to herself as Christian Moorish and is to marry a Christian, with approval from her father, a kind of not-too-subtle “love conquers all” subtext.

In that regard, it is fascinating that Cervantes chooses Cide Hamete Benegeli as a lens through which to refract DQ… Is Cervantes hiding behind a foreigner, deflecting responsibility? Is the Moorish source wiser than the Castilian translator?  A Spanish treasure is actually of Moorish provenance?  

Two more things…

  • a la Tristram Shandy—will we ever know what happened in the Cave of Montesinos? DQ promises that he will tell Sancho (and us) later, but he never does…
  • a la Monty Python’s Cheese Shop Sketch—DQ and Sancho are flustered by an innkeeper who says he’s got the best and most plentiful food, and that they simply need to request what they desire, but it turns out the possibilities are quite severely limited!

© 2016 Peter J. Evans, theorist (though this post was started in 2015, believe me!)

Protagonist Musicians in SF, pt.5

TITLE: Cemetery World
AUTHOR: Clifford D. Simak
YEAR: 1972

IS THIS SF?
YES—non-terrestrial colonization, time travel, robots etc.

PJE SYNOPSIS
In the far future Earth has been relegated to the role of galactic Cemetery, but do people still live there? Fletcher Carson comes to try and capture the non-cemetery aspects of Earth for everyone to see, yet he runs afoul of the local authorities, gets chased by the local yokels, meets a girl, gets catapulted back and forth in time with the help of radioactively-activated super-ghouls, ummm…

REALLY A MUSICIAN?
NO, I was hoping for more from one who says he is a ‘compositor’, that is, one who makes compositions. Briefly described towards the beginning of the book, such compositions can be multi-media and multi-sensory events, meant to give an all-encompassing sense of a partciluar environment. As such, all he really does is have a grandiose idea to make the composition, then retrofits a machine to do all of the compositing for him once he arrives! The narrative veers off from there, and as such the compositing is never re-visited.

WHY A MUSICIAN?
Hard to say, though perhaps Simak needed an idealistic dreamer with a vague reason for travelling and lots of free time as the protagonist. A businessman or scientist would not have put themslves into some of the binds the Carson finds himself in, nor would they have been open to most of the circumstances, or plot-driving decisions exhibited in the novel.

RECOMMENDED?
PERHAPS, not Simak’s strongest (cf. City) yet a good yarn, with some ineresting SF conceptualizations, though many would cringe at the corny lovestory. Reads quickly!

© 2015 Peter J. Evans, theorist

Hong Kong, city of Rhizomes?

Summer in Hong Kong, walking down the tropical streets sweating and burning, heading for the Cultural Center from Mody Road.  I have a pretty good sense of memory-for-direction, and I know where we’re going, but there’s not a lot of information to be had…   and there are surprsingly few people about…

i can see it from here! by the way, where is everybody?

Then there’s a sign that says “subway” and my tourist experience clicks into a thought—that term doesn’t have to mean trains or sandwiches (like in the U.S.), but can also refer to a path beneath the street… and this changes everything.

Steps down and we find…  People!  Directions!  A.C.!  Moving Walkways!  So this is where everybody’s been hiding!  Ample signs point us towards our surface destination, yet the tunnels also lead us past shops, vendors, malls, businesses, hotels, residences, etc., as well as past multiple stations for the underground train (MTR) or walking paths, boats, ferries, surface trains, elevators, escalators and cable cars!   Overwhelmed at first, it takes me the rest of the visit to realize what I’ve encountered… Rhizomes—with a vengeance!  In other words, these pathways are not simply underground connections to trains (like in London) but rather offshoots of/to/from/within a subterrene culture that is distinct from that aboveground.

In A Thousand Plateaus Deleuze and Guattari posit the rhizome as a non-hierarchical means of collecting and processing data, as well as fostering creative thought.   My experience in Hong Kong ties in with the principles laid out in Introduction from that book…

1) Connection – Yes, paths between places—indeed, that’s the function
2) Heterogeneity – Yes, a diversity in character and in content
3) Multiplicity – Yes, through this can be tough to grasp, as the individual is not an addition to the multiple, but rather a subtraction from it—the individual is lesser than the multiple…  So my experience on the surface before finding the subway proves this point all too well…
4) Asignifying Rupture – Yes, and this was something that I realized only progressively.  Over the course of our trip, and without any intention whatsoever of doing so, we went from Tsim Sha Tsui to the Cultural Center in three completely different ways, i.e., several paths exist between the same starting and ending points—and I’m confident there are at least a couple more that we didn’t get to try.  This is important; imagine if one tunnel was under repair, it would still be possible to find multiple ways to get to and from the same places!

been there, rode that

5) Cartography – Well, here it gets sticky.  Yes, there are maps of the MTR, and some of the linking tunnels between stations.  Yes, the malls have store guides, etc.  But there is no one map of all the possible paths, all of the connections, all of the lines of flight (well, there probably has to be one somewhere, in the city planning office, or in the emergency response center, right?).  I think, for the average person, that such a map would be unreadable, or unpresentable—perhaps as a series of transparent overlays.  I asked my uncle-in-law if he’d ever heard of such a thing, and the look on his face suggested that by even asking such a question was to peer over the sheer brink of lunacy itself.  However, I think that the average HK citizen knows a bunch of these subconsciously or can find them quasi-instinctively.  My wife’s cousin was to meet us for some coffee, and approached our meeting spot in a way we hadn’t even considered, and then when we returned to the same point later, it was by yet another path, but he never seemed lost or confused, only certain we’d arrive at or destination…

6) Decalcomania – Without a map this is _______, but generally as a model such an approach can be applied to conditions in other locations.  Indeed, think of the Mole People in NYC.  The current-use subway system for that city is pretty extensive, but mainly these are well-mapped in regards to the set routes of the train and folks who need to swtich lines, but within these parameters there is no need for deviation or fluctuating options for walking traffic, though there is a navigation contest of sorts.  In Boston, the Downtown Crossing//Park Street tangle is a smaller-scale rhizome, which can be confusing for those who do not commute there daily. Or consider the speculation on indigenous use of caverns in the US to keep cool and provide connection, though we’re not currently certain of the extent of use and inter-cavern travel.

Part of the reason for these rhizomes is the climate—a hustle-and-bustle society situated in the tropical zone needs cool routes to keep people comfortable, and to connect them to shops and business.  I might add on a personal note that connecting travelers to tourist locations quickly and comfortably was a plus, though the conspiracy theorist in me wonders if such multiplicity of connection is meant to lead inexperienced consumers by as many different shops as possible.  In fact, I tried to go the above mentioned route to the Cultural Center the same way each time, but I was unsuccessful.  Would such a rhizomatic construction work in the US?  Are modern-day Americans to used to the supremacy of the Interstate Highway?  Is it another facet of the rift in the urban/rural divide?  Are we just easily confused or unaccustomed?  Does such an approach reflect a distinct approach to culture, where in HK the individual is lesser than the multiple but in the US we believe the reverse?  Nah…

subtract this from the multiple, jackass!

With places of work and living all inter-connected, I  wonder if the full-time residents ever really need to peak about up top.  Regardless, I’m pretty sure one could visit HK without ever visiting the surface—in fact that’s the goal for my next visit!  

peterjevanstheorist?

well… there are at least three other Peter Evanses out there in the music world…
Trumpeter
Guitarist
Britten Scholar
and many other non-music Peter Evanses…
Australian Chef
Writer
and then some Peter J. Evanses on twitter (the 1st is kind of spooky, actually…)…
http://twitter.com/evanspeterj
https://twitter.com/thepeterjevans

…so, the short answer is: ‘theorist’ is both unclaimed and applicable… and unique!

thoughts?
 

© 2012 Peter J. Evans, theorist

Welcome!

Hello, welcome to my new website—I’m still learning the ropes here, and significant portions have been copied from my old site.  The highlight of this new site, so far, is the Bonsai, which in this gallery form looks really nice…  This site will contain much fewer ‘files for students’ than the previous one, but there will be general info in the Classroom Supplements section, and more in teaching as September approaches… PJE